Electronics + Music = Electronic Music

When you think of your music class experience in school, what comes to mind? Many of you might have fond memories of singing or banging on a drum, or maybe you have that memory of playing the recorder that we all learned to love.

Music programs in schools have existed for decades and have been an extremely important foundation of our educational system. But what happens when technology continues to be an integral part of our daily lives? How do we make sure we are preparing our children for the future, specifically in the realm of music?

Simple solution: Electronic Music. Electronic music is the integration of technology with music theory and composition to compose and record music using computers and software like Garage Band or Logic Pro.

Electronic Music started at The Willows way back in 1996 when a parent approached Head of School Lisa Rosenstein to teach a music composition class using a piano keyboard connected to a computer. At that time, technology in music was an extremely new concept. With a forward-thinking mindset, Lisa agreed to this idea. That Willows “can do” spirit sparked what has now become a beautiful, state-of-the art, electronic music lab with 15 Mac computers and piano keyboards, Beats headphones, and a private recording vocal booth.

The first class in 1996 inspired Greg Blum to become an Electronic Music teacher at The Willows. Greg, also an alumni of The Willows, says, “The first time I even wrote a song was in electronic music. It formed a big part of my relationship with music. One thing that’s instrumental about this class is that it’s for everyone.”

At The Willows, Electronic Music starts for students as young as 3rd grade all the way through 8th grade. The curriculum is designed to develop skills in song composition, writing and reading original songs, song structure, and music theory. Each grade comes once a week and spends roughly 50 minutes in the Electronic Music Lab.

Next time you’re on campus, make sure to stop by the Electronic Music lab it will definitely be note-worthy!

Check out a few samples created by past students!

Sample 1

Sample 2

ComicCon Meet Your Rival WillowCon!

Grab your cape and mask because this year The Willows will be hosting the very first WillowCon, a Willows version of ComicCon, on Saturday, November 9 from 11 am to 4 pm. In Willows fashion, it will be a collection of speakers, workshops, art pieces, books, costumes, music, fun, and food for all ages to participate!

Inspired by a school in Petaluma, CA, Director of Library Services Cathy Leverkus and Director of Teaching and Learning Terri Baird, decided that this was an opportunity to bring a version of ComicCon to the Willows. What better way to bring comic books and stories to life than to dress up, create masks, and speak to some of the industry’s top-notch comic book/story writers, artists, and directors?

Hence, the birth of WillowCon.

WillowCon will not only be a fun and exciting event, but it will also inspire and motivate those of all ages to read and write. Throughout the day, attendees will be able to listen to a panel of speakers, walk down artist alley that will include a collection of art work from Willows students and guest artists, meet and greet with speakers, develop writing skills through workshops, and decorate and create masks!

Some of the panel speakers will include Chris Ayers, Bruce Eric Kaplan, Dana Simpson, David Goodman, Cecil Castellucci, Emma Steinkellner, Josh Gad, Kyle Bornheimer, and Vaun Wilmott, just to name a few. Combined, these individuals have worked on Star Trek, Family Guy, The Daily Zoo, The New Yorker, Phoebe and Her Unicorn, DC Comics, The Okay Witch, Frozen, and much more.

Make sure to mark your calendars because WillowCon is going to be out of this world!

Student-centered Learning Environments: Redesigning One Fourth Grade Classroom

“It is sobering to realize that the majority of American schools today, barring a minority of interesting experiments, look as they did at the end of the last century”

-Mara Krechevsky & Janet Stork, Harvard Project Zero (2000)

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Click here to access a short video on our Instagram page illustrating the flexible seating arrangement in action!

When I walk the halls of our campus at The Willows, I’m not so sure the above quote rings completely true. The schools I went to as a child and that I first taught in 17 years ago definitely don’t have the unique, vibrant energy from faculty and amazing artwork enlivening the environment that we have here.

However, even though The Willows does not closely resemble a school in 1899, some features in education are notoriously slow to change. Personally, I believe it is safe to say that the classroom arrangement of individual desks facing a teacher lecturing at the front next to a board is one of those features.

This year, in one fourth grade classroom at The Willows, dynamic changes are underway. Inspired by similarly-minded teachers and school leaders across the country, fourth grade teachers Stephanie Tanner and Lily Solomon have embraced the concept known as a flexible seating classroom for their students.

This arrangement was described in a recent article in NEA Today as the “Starbucks classroom” because of the focus on creating spaces for students to sit and work comfortably as adults are accustomed to at the iconic coffee shop. Instead of rows of desks, flexible seating classrooms feature students working at standing desks, café tables, couches, on top of pilate balls and next to hokki stools.

Beyond just giving students comfortable spaces to think and work, the research behind a flexible seating arrangement highlights several potential positive impacts for students:

  • Focus and engagement: students who struggle to remain seated and still throughout the day are often better able to focus and stay engaged with the task at hand when they have some choice over what type of seating is best for them
  • Responsibility: teachers allowing students to choose what type of seat is best for them communicates the message that the student is responsible for his or her learning, and that he or she is mature enough to make smart choices

When I first heard about flexible seating coming to The Willows, I wondered what had initially led Stephanie and Lily to consider redesigning their classroom space in this manner. Both teachers shared that this past summer, they reflected on how their group of kids had a lot of energy that was sometimes hard to channel, and that traditional seating arrangements were just not fitting the needs of most students (*note – 3rd and 4th grade students “loop” at The Willows, meaning they have the same teacher and classroom for two years in a row).

After scouring Pinterest and several other education blogs that featured tips for setting up a flexible seating classroom, Stephanie and Lily pitched the idea to Terri Baird, our Director of Teaching and Learning; she loved it, and had actually already been researching flexible seating on her own. Terri asked the teachers to write up a proposal for materials, with a plan in mind to pilot this approach this year in one classroom and possibly expand to other rooms if successful.

Two months into the school year, teachers and students alike approve of the new classroom arrangement. The teachers report that students are getting more work done without becoming distracted, and are working quicker and staying focused for longer. Students are motivated to stay focused since they know that if the teachers feel they have chosen an unproductive spot, they will be asked to move. Favorite spots for many children include the standing desks, wobble tables, and the couch; least prized seating options so far, perhaps unsurprisingly, are the traditional desks – though some students do prefer them.

Other Willows teachers are showing interest in potentially changing some, if not all, of their classroom seating arrangements. In one faculty meeting where we discussed flexible seating, many teachers agree it may not be the best approach for every classroom, or for every group of teachers and students. So far, however, for one fourth grade classroom, the change has been welcome.

Cultivating 5th Grade Designers

Each school year, educators working in schools across the country gravitate towards some of the same shared ideas that are touted to transform teaching and learning in the classroom. Several years ago, the burgeoning Maker movement made such promises, and you’d be hard pressed to find a set of slides at most educational conferences these days that forgets to make at least a passing reference to Stanford University professor of psychology and author of Mindset Carol Dweck’s research on growth mindsets.

Here at The Willows, we strive to keep up with the current trends everyone is talking about, while still staying grounded in the values and traditions that have guided us for the last two decades. The last two years or so, one of the current educational memes that we’ve tried in earnest to incorporate is design thinking (see previous posts here and here for more information).

However, true to our constructivist and progressive traditions here, we are not just talking or teaching about design thinking – we are actually designing, and, hopefully, cultivating young designers in the process.

Let’s take a look at some of what our fifth grade students have been up to lately as an example. In Maker classes, I began a design and robotics unit back in March with an initial study of a particular design problem nested within our own community – well, to be more specific, a few blocks away from our campus proper.

Here are two photos (annotated by a fifth grader) and a video of a stoplight near our school that myself and many other community members approach each day on our way to The Willows. For first time users approaching this intersection, it is entirely unclear how traffic is supposed to proceed – there are no yellow or green lights (only constant flashing reds), and “Right Turn Only” signs are regularly ignored by drivers who weave their way around the concrete median in the middle of the intersection. As I told the kids, I am consistently baffled that there are not more collisions here!

designthinking annotated process copyTo approach this intersection as a design problem, I gave my students an annotated version of Stanford’s dschool’s design thinking diagram and asked them to consider several questions for each step in the process, including:

  • How do you think the drivers approaching this intersection feel?
  • How do users of this intersection decide when it is safe to proceed?
  • If you were to redesign this intersection how would you want users to feel?
  • What specific changes to the design of the intersection do you recommend?

In order to answer these questions, we not only watched videos but also took a short field trip to the actual intersection to accumulate some real time observational data. I encouraged each group of students in their observing to really try to put themselves in the shoes of the people who used this intersection – to empathize and understand the decisions of the drivers and how the unsafe conditions at the intersection impacted these decisions. Unsurprisingly, many fifth graders enjoyed seeing people disobeying the traffic signs and going around the median (though I discouraged them from chastising the drivers while we sat there at the intersection!)

Once we had collected data about the intersection and came up with some possible solutions, it was time for us to move on to the next step in the design process – to begin working on designing prototypes of a new intersection. Currently, we are in the middle of this process; first, we have had to take a few weeks to learn how to program LEGO EV3 Mindstorm robotic vehicles to be our “cars” in the new traffic systems.

Look for a new post on our progress as well as some other design work 5th grade has been engaged with very soon!

 

Telling Learning Stories Through Documentation

Documentation is an act of communication; it makes public a conversation about what we value. 

                                    -Harvard Project Zero, http://www.pz.harvard.edu

At certain times of the school year, things can feel so busy it’s tough to take a moment and catch your breath. This is of course as true at The Willows as anywhere else, especially given the number of diverse projects and endeavors always underway. A challenge busy individuals have within any organization is to make time to stop and understand the processes going on around them. A further step, beyond pausing to take stock, involves articulating what you have accomplished to others.

Last week, I was part of a group of Willows teachers and administrators that went to visit the High Tech High network of charter schools in San Diego. During the last school year, our community watched the film Most Likely to Succeed, which featured one of their high schools prominently to illustrate the power of project-based approaches on learning and curriculum building.

IMG_4616High Tech High is well known for impressive and high-quality project artifacts visible throughout their halls, and there were plenty of examples that wowed us as we toured each school. However, what caught my eye most of all was not the amazing creations on display– it was the documentation accompanying each project that helped explain the process behind the project.

Besides simply articulating details about process, the very best pieces of documentation help tell relevant learning stories about curricular projects. They might walk an audience through the steps of the process, highlight epiphanies or failures that led to necessary revisions, or unpack the knowledge that was developed by participants. Ultimately, the idea is to make the thinking and learning involved in the project visible to all in an intentional manner.

A long tradition of researchers and educators from Harvard’s Project Zero – who’ve published seminal works like Making Thinking Visible and Visible Learners – and the vast network of schools associated with the Reggio Emilia experience have long advanced the power of documentation as a tool for improving teaching and learning. According to these proponents, powerful pieces of documentation do more than just capture what happened. Instead, the intent is ultimately to push learning forward, and, as the quote above states, to make “public a conversation about what we value.”

While feeling inspired after leaving High Tech High, our visit also caused me to reflect on similar work with documentation that we’ve undertaken at The Willows. Some form of documentation regularly accompanies all of the artwork that hangs in our halls and classrooms, and we have worked this year to make some of these displays more interactive by adding QR codes for visitors to access additional relevant (and often process-oriented) content. Additionally, knowing that a great picture often tells its own story, we have provided several professional development sessions for teachers this school year on photography techniques and how to incorporate high-quality photographs into their documentation.

What’s next for The Willows and documentation? Knowing that teachers are always juggling many different priorities, we are currently exploring how we might better utilize different templates for easy input of content and photos (see this recent example from 3rd grade). tipi documentation-page-001Also, we have recently begun engaging fourth through eighth grade students in this process in Maker and Science classes, having them document their progress on projects by creating websites and digital portfolios using Google Sites. The more we can engage the whole community in the process of communicating the learning that is taking place, the better!

 

 

 

Writing Workshop at The Willows

Five years ago after moving from teaching the first/second grade loop to teaching upper elementary students, I noticed that there was a need for a more consistent writing curriculum across the grades at our school. Of course teachers gave writing assignments, but a continuity in how writing was being taught needed to be reviewed and updated.

In search of more comprehensive writing instruction, I found The Reading and Writing Project at Teachers College, Columbia University. I was familiar with Lucy Calkins and her writing workshop curriculum, but I wanted to learn more. After attending their Summer Writing Institute on their campus at Columbia University, I returned to The Willows inspired and invigorated to share what I learned with my colleagues. Since then, we’ve created an exceptionally strong writing curriculum, guided by Writing Workshop.

The Writing Workshop Model is very Willows in that it is student-centered, but also provides structure and clear goals.

These are the Writing Workshop Essentials, from Lucy Calkins’s book, Guide to the Writing Workshop, and how we have implemented them at The Willows:

  • “Writing needs to be taught like any other basic skill, with explicit instruction and ample opportunity for practice.”

I found that we weren’t scheduling writing into our regular weekly lessons. We’d give students creative writing assignments during the year, but the craft of writing wasn’t being explicitly taught everyday. We’d justify this by reasoning that our students were doing lots of writing in other subjects. Imagine if we did that with math— “Oh, we don’t have a regular math time, but students do math in science and social studies without even realizing it, so that’s okay.”

The first and most important change we made was to make writing a priority and to put it on the weekly schedule, just like math, reading, social studies, and science.

  • “Children deserve to write for a real purpose, to write the kinds of texts that they see in the world and to write for an audience of readers.”

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    A first grade “expert book”

In Writing Workshop there are three main types of writing we teach—narrative, informational, and persuasive. We teach each of these forms every year and build upon the skills from the year before, increasing the complexity and sophistication of the writing. At the end of each unit, we “publish” our books and share them with one another and our greater community.

 

  • “Writers write to put meaning onto the page. Children invest themselves in their writing when they choose topics that are important to them.”

We teach children strategies to find topics they are passionate about, rather than assign them a topic. We teach them that the purpose of writing is to communicate your ideas. We write because we have something to say, and we often discover what we have to say through our writing. This has been so empowering. Our students love writing workshop because of this.

  • “Children deserve to be explicitly taught how to write.”

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A third grade “expert book”

In the younger grades, we teach informational writing units in which students write “expert books.”. Each student chose a topic that they feel they are experts in and do not need to research (being an older sister, football, playing with sticks). We then explicitly teach them how to write an informational piece well, organizing and focusing their topics, writing paragraphs, using lots of examples, synthesizing their ideas, and using vivid, descriptive language. Later, we combine our informational writing unit with a social studies or science unit, and introduce the element of research into their process.

  • “Children deserve the opportunity and instruction to cycle through the writing process.”

By explicitly separating writing into stages, we’re demystifying the writing process and giving students the expectation that they will create several drafts when they write.

The biggest change I’ve seen has been to differentiate revision from editing. Many teachers lump these together, and end up giving revision short shrift. We talk about revision as the big stuff—does the writing make sense?, is there enough description so readers can picture this in their minds?, what is the writing really about?, is my message—what I have to say—really coming through? Editing is fixing the conventions (spelling, punctuation, grammar) so the work can be read easily. This comes after revision.

Narative-Writing Example

My students now enjoy revision. Their papers get messy, and the more revisions they make, the messier the draft gets. I revise my own writing in front of them, then invite them to do it to their work.

  • “To write well, children need opportunities to read and to hear texts read, and to read as writers.”

We use mentor texts by master authors that we examine to see what techniques the writers use to communicate their ideas, so we can try using them as well. Now, during book clubs or read aloud, students are noticing devices writers’ use that they can incorporate in their own writing, like flashbacks or foreshadowing.

  • “Children need clear goals and frequent feedback.”

This happens mainly during writing conferences. Before writing workshop, my writing conferences took place at my desk, after a student had finished a draft. I’d hold a pen and write on the student’s paper, showing them where to add a detail or to re-order some sentences. The student would often stare into space, and I’d mark up the paper and give it back so they could make my corrections. I’d have a long line of students snaking around the room waiting for my help and my approval.

Now, I rarely sit at my desk during writing times. I move around the room and check in with students at their tables. I talk to them and give them feedback in whatever stage they’re working in. I don’t write on their papers. I might write some notes on a separate paper so they can remember what we talked about, but the students have to make their own revisions, do their own writing.

We use checklists and charts so students can remind themselves of their goals. Students don’t stand in line and wait for a conference with a teacher. They keep working and use the tools we provide to help themselves until the next teacher check-in.

Teaching writing like this takes more work, but we are now sending students to each higher grade with more skills, ready to take on a new level of sophistication in their writing. It’s been so gratifying to see how our students have embraced this process. Students are excited about writing, disappointed when their writing time is over, sometimes asking if they can stay inside during recess to keep working on a story. As a teacher it doesn’t get better than that.

Intersession: The Power of Choice

Facing the waning weeks of winter and the promise of spring’s impending arrival, it’s that time of year at The Willows where we reflect on what we’ve accomplished so far this school year and look ahead to what still lies ahead. Around this same time, the school participates in the annual tradition of Intersession, when normal school routines and schedules are suspended for one week for specialized projects and classes for DK-8 students.

A year ago, I wrote a post about the success of Intersession coming down to two main elements: time and engagement. The power of both was still evident during this year’s Intersession, as I roamed the halls seeing students deeply immersed for hours in creating a wide variety of things: Escape Rooms, lamps, instructional videos, ramps and pathways for marble runs, and much more.

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Reflecting further on this year’s Intersession, I think one element that also contributed greatly to the success of this year’s projects was choice.

We always gave students a fair amount of choice regarding which Intersession class they wanted to participate in, but this year was unique. We worked especially hard to make sure every student had his or her first choice out of the many offerings that were made available.

Hot off the heels of November’s election, DK-8 students were given “ballots” detailing the class offerings; in grades 3-5, we even held a “primary” to narrow down an initial list of more than ten class options. Unsurprisingly, kids clamored their teachers for information shortly afterwards – “Did I get my first choice?” they asked, not knowing that we had planned for that all along!

Choice matters 

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Why was it important for us to ensure first choice? According to research, providing choice to students is strongly correlated with motivation. Certain school environments motivate students by rewards or punishments with teacher-centered activities predominating. Intersession at The Willows doesn’t remove the guidance of the teacher but encourages students to take more ownership over their learning in a setting where time is truly given for deep learning and engagement.

Choice inspires motivation, and choice pervades the interdisciplinary learning environment that we strive to create each year at Intersession. In one popular class this year, middle school students designed original lamps, utilizing skills and resources from our STEAM2 disciplines (science, technology, art, engineering, and math and maker) and design thinking. Students were challenged to make choices about artistic and operational design features for their lamps, and to consider the impact of their choices on the needs of the potential, ideal users of their lamp. The finished products displayed for parents a week later at our Family Education Night celebrating the work of Intersession, highlighted the powerful returns we reap from providing rich, choice-driven learning environments for students.

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Further reading

A colleague of mine recently recommended a book on this topic, Choice Time: How to Deepen Inquiry Through Inquiry and Play by Renee Dinnerstein. My copy is on order, and though its focus appears to be on DK-2 classrooms, I am excited to build on the successes of Intersession, and to seek out applications for choice to enliven all classrooms.